Das Phantom der Oper (französischer Originaltitel: Le Fantôme de l'Opéra) ist ein Roman des französischen Journalisten und Schriftstellers Gaston Leroux. Dieses liegt direkt am Theater in der Alsen- und Holstenstraße. Musicals in Hamburg Kontakt Impressum & Datenschutz dragonshostel.com Christine Daaé, die junge Opernsängerin, hat als einzige die Zuneigung des Phantoms, Christine's Freund, der junge Graf Raoul de Chagny, merkt, dass es.
PHANTOM DER OPER – Das MusicalWeil "ihre" Oper unter neuer künstlerischer Leitung steht, kämpft die einstige Haus-Diva um ihre Vormachtstellung. Doch vergeblich. Denn der wahre Herr im. Damit ist diese musikalische Neuinszenierung, die einst zum Geburtstags des von Gaston Leroux geschriebenen Romans „Le Fantôme de l'Opéra“. dragonshostel.com - Kaufen Sie Das Phantom der Oper günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer.
Phantom De Oper Navigation menu VideoNIGHTWISH - The Phantom Of The Opera (OFFICIAL LIVE) Das Phantom der Oper ist ein Roman des französischen Journalisten und Schriftstellers Gaston Leroux. Er wurde in Fortsetzungen in der Zeitung Le Gaulois vom September bis zum 8. Januar veröffentlicht. Die Geschichte wurde mehrmals. Das Phantom der Oper (französischer Originaltitel: Le Fantôme de l'Opéra) ist ein Roman des französischen Journalisten und Schriftstellers Gaston Leroux. Das Phantom der Oper (engl. Originaltitel The Phantom of the Opera) ist ein Korea, Mexiko, Ungarn, Belgien, Dänemark, Spanien, Kanada und den Niederlanden (Het spook van de opera von Seth Gaaikema) erfolgreich aufgeführt. Das Phantom der Oper, nach dem Roman von Gaston Leroux geht in der von Christine und dem Grafen Raoul de Chagny weckt die Eifersucht im Phantom. McNally James Fleet See all condition definitions - opens in a new window or tab With Serie Satisfaction job, he was able to travel frequently, but he returned to Paris where he became a writer.
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Show HTML View more styles. Most Adapted Novel to Films The Phantom is HERE! Nominated for 3 Oscars. Edit Cast Cast overview, first billed only: Gerard Butler The Phantom Emmy Rossum Christine Patrick Wilson Raoul Miranda Richardson Madame Giry Minnie Driver Firmin Simon Callow Andre Victor McGuire Piangi Jennifer Ellison Meg Giry Murray Melvin Reyer Kevin McNally Buquet as Kevin R.
McNally James Fleet Lefevre Imogen Bain Carlotta's Maid Miles Western He allows the Persian and Raoul to escape, though not before making Christine promise that she will visit him on his death day and return the gold ring he gave her.
He also makes the Persian promise that afterward, he will go to the newspaper and report his death, as he will die soon "of love.
Indeed, sometime later, Christine returns to Erik's lair, and by his request, buries him someplace where he will never be found, and returns the gold ring.
Afterward, a local newspaper runs the simple note: "Erik is dead. The epilogue pieces together bits of Erik's life, information that "the narrator" obtained from the Persian.
It is revealed that Erik was the son of a construction business owner, deformed at birth. He ran away from his native Normandy to work in fairs and caravans, schooling himself in the arts of the circus across Europe and Asia, and eventually building trick palaces in Persia and Turkey.
Eventually, he returned to France and started his own construction business. After being subcontracted to work on the Palais Garnier's foundations, Erik had discreetly built himself a lair to disappear in, complete with hidden passages and other tricks that allowed him to spy on the managers.
Leroux uses the operatic setting in The Phantom of the Opera to use music as a device for foreshadowing. She uses the example of how Leroux introduces Danse Macabre which means "dance of death" in the gala scene which foreshadows the graveyard scene that comes later where the Phantom plays the fiddle for Christine and attacks Raoul when he tries to intervene.
Drumright points out that music is evident throughout the novel in that it is the basis for Christine and Erik's relationship.
Christine sees Erik as her Angel of Music that her father promised would come to her one day. The Phantom sees Christine as his musical protege, and he uses his passion for music to teach her everything he knows.
Stylistically, the novel is framed as a mystery novel as it is narrated through a detective pulling his information from various forms of research.
But, it seems that the mystery novel persona was a facade for the real genre being more of a gothic romance. In his article, Fitzpatrick compares the Phantom to other monsters featured in Gothic horror novels such as Frankenstein's monster , Dr.
Jekyll, Dorian Gray, and Count Dracula. The Phantom has a torture chamber where he kidnaps and kills people, and the walls of the chapel in the graveyard are lined with human bones.
People are frightened by him because of his deformities and the acts of violence he commits. The novel features a love triangle between the Phantom, Christine, and Raoul.
Raoul is seen as Christine's childhood love whom she is familiar with and has affection for. He is rich and therefore offers her security as well as a wholesome, Christian marriage.
The Phantom, on the other hand, is not familiar. He is dark, ugly, and dangerous and therefore represents the forbidden love.
However, Christine is drawn to him because she sees him as her Angel of Music, and she pities his existence of loneliness and darkness.
By the time Leroux published The Phantom of the Opera , he had already gained credibility as a crime mystery author in both French- and English-speaking countries.
He had written six novels prior, two of which had garnered substantial popularity within their first year of publication called The Mystery of the Yellow Room and The Perfume of the Lady in Black.
This serialized version of the story became important when it was read and sought out by Universal Pictures to be adapted into a movie in There have been many literary and other dramatic works based on Leroux's novel, ranging from stage musicals to films to children's books.
Some well-known stage and screen adaptations of the novel are the film and the Andrew Lloyd Webber musical. In Lloyd Webber's musical, he was focused on writing more of a romance piece and found the book and the musical took off from there.
Leroux's novel was more than just a mystery and had romance and other genres that would appeal to more audiences. Bill O'Connell, an assistant to film producers in New York, contended for the original author's name to be included with the book that the musical is "based on" rather than "inspired by" because he viewed the latter as a minimization of Gaston Leroux's connection with the story.
The musical has received more than fifty awards and is seen by many as being the most popular musical on Broadway.
Leroux's novel was made into two silent films. The first film version, a German adaptation called, Das Gespenst im Opernhaus , is now a lost film.
It was made in and was directed by Ernest Matray. The next adaptation into a silent film was made in by Universal Studios. This version stars Lon Chaney Sr.
Due to tensions on the set, there was a switch in directors and Edward Sedgwick finished the film while changing the direction the movie was going to take.
His take on the novel and making it a dark romantic movie with comedy was not popular with audiences. They removed most of Sedgwick's contribution and returned to the original focus.
This time, the movie was a success with audiences in From Wikipedia, the free encyclopedia. This article is about the novel.
For the musical and other uses, see The Phantom of the Opera disambiguation. This article is missing information about the novels development, and publication history.
Please expand the article to include this information. Further details may exist on the talk page.
October Romance Mystery Horror. This section needs expansion. You can help by adding to it. November Further information: Adaptations of The Phantom of the Opera.
French Studies Bulletin. Forum for Modern Language Studies. Retrieved Apr 26, Retrieved Oxford Music Online. Oxford University Press.
Daily Telegraph. Retrieved Apr 27, Prologue opera. PEERS Dance. Retrieved Apr 29, Crisis Magazine.